Mikko Immanen’s new book, Adorno’s Gamble, will be published with Cornell University Press on February 15th 2025. Click here to access the book from the publisher’s website.

Here is the publisher’s blurp:

Adorno’s Gamble offers a startling reinterpretation of the evolution of Theodor W. Adorno’s thought, usually seen as a mix of critical Marxism, Freudian psychoanalysis, aesthetic modernism, and Jewish tradition. Mikko Immanen argues for another, previously unacknowledged source of Adorno’s thinking on instrumental reason, dialectic of enlightenment, and frailty of democracy: the intellectual underpinnings of Germany’s “conservative revolutionary” movement of the 1920s. In a dramatic reappraisal of the leading light of the Frankfurt School, Immanen follows Adorno’s path of philosophical development from the late Weimar era through years in exile to the postwar period, establishing his debt to thinkers of radical conservative bent. In particular, he focuses on Adorno’s enduring, and daring, effort to harness two of the most infamous works from this tradition—Oswald Spengler’s Decline of the West and Ludwig Klages’s The Spirit as Adversary of the Soul—and to repurpose their reactionary teachings for emancipatory ends.

Gianluca Cavallo’s book Das falsche Leben: Schuld, Scham und die Grenze moralischer Freiheit has been published in German and is available from Campus (Frankfurt, New-York). Click here to access the book from the publisher’s website.

Here is a translation of the publisher’s blurb:

“There is no right life in the wrong one”: Adorno’s famous saying expresses our own entanglement in evil and bad. The subject feels guilty because he knows what he could do differently and better. But at what price? Is this price morally acceptable? Can the wrong life perhaps be justified? These are the questions that this book raises on the basis of Adorno’s reading. Since they do not allow for a clear answer, another one soon arises: How does the subject deal with this moral uncertainty? Gianluca Cavallo reconceptualises guilt and (moral) shame so that they are no longer experienced as failures, but as feelings that make the limit of our moral freedom perceptible – a limit that we should learn to accept.

Martin Mittelmeier’s book Adorno in Neaple has been translated in English and will launch on November 12th: Naples 1925: Adorno, Benjamin, and the Summer That Made Critical Theory available from Yale University Press. Click here to access the book from the publisher’s website.

And here’s the publisher’s blurb:

In the 1920s, the Gulf of Naples was a magnet for European intellectuals in search of places as yet untouched by modernity. Among the revolutionaries, artists, and thinkers drawn to Naples were numerous scholars at a formative stage in their journeys: Walter Benjamin, Siegfried Kracauer, Alfred Sohn Rethel, Asja Lacis, Theodor W. Adorno, and many others. While all were indelibly shaped by the volcanic Neapolitan landscape, it was Benjamin who first probed the relationship between the porous landscape and the local culture. But Adorno went further, transforming his surroundings into a radical new philosophy—one that became a turning point in the modern history of the discipline.

In this ingenious book, Martin Mittelmeier reveals the Gulf of Naples as the true birthplace of the Frankfurt School. From the majestic crater rim of Mount Vesuvius to the soft volcanic rock that Neapolitans used to build their city, Mittelmeier follows Adorno’s and his fellow thinkers’ footsteps through the cities along the gulf, demonstrating how their observations and encounters surface again and again in their writings for decades to come, and serve as the structuring principle of Critical Theory.

The book received a fantastic pre-publication review just over a month ahead of publication from Kirkus Reviews, which had this to say: “Vigorous, provocative, and persuasive, Mittelmeier’s book offers original insights that will undoubtedly prove invaluable to scholars of Critical Theory. . . . An exceptionally refreshing take on the origins of the Frankfurt School.” Stanley Corngold calls the book “A rare treat. In sprightly, dancing prose, Mittelmeier constructs a convincing allegory of porosity as the cardinal feature of the volcanic rock of Naples and the structural principle of essays by the initiators of modern Critical Theory.”