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The Association for Adorno Studies

The Association for Adorno Studies

Category Archives: Theodor W. Adorno

Journal of Adorno Studies: Now Available

07 Saturday Jun 2025

Posted by William Ross in Adorno Studies (journal), Theodor W. Adorno

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Alastair Morgan, Anastasios Gaitanidis, Andrew Bowie, Antonia Hofstätter, Camilla Flodin, Emile Ike, Fabian Freyenhagen, Fumi Okiji, Gerhard Schweppenhäuser, Gertrud Koch, Günther Sandner, Han-Gyeol Lie, Henry Pickford, Iain Macdonald, J.M. Bernstein, Jeff Noonan, Jeremy J. Shapiro, Johan Hartle, Kathy Kiloh, Lydia Goehr, Martin Shuster, Michael Schwarz, Peter Uwe Hohendahl, Polona Curk, Qianfan Zhao, Robert Hullot-Kentor, Samir Gandesha, Sebastian Tränkle, Shierry Weber Nicholsen, Stefano Marino

The wait is finally over!
The Journal of Adorno Studies is now available through Mimesis Journals.
Warm thanks to Samir Gandesha, Johan Hartle, Antonia Hofstätter, Han-Gyeol Lie, and Stefano Marino for their hard work and committed engagement.

The inaugural issue offers, inter alia, a Kaleidoscopics of short essays that testify to the richness and diversity of “the contemporary significance of Adorno’s work from a host of different viewpoints.” Contributors include: Robert Hullot-Kentor, Martin Shuster, Fabian Freyenhagen, Anastasios Gaitanidis, Polona Curk, Qianfan Zhao, Alastair Morgan, Lydia Goehr, Sebastian Tränkle, Fumi Okiji, Samir Gandesha, J.M. Bernstein, Kathy Kiloh, Andrew Bowie, Camilla Flodin, Gertrud Koch, Peter Uwe Hohendahl, Stefano Marino, Iain Macdonald, and Henry W. Pickford.

The three volumes of the journal’s previous series (2016–2019) are also archived on the journal’s website.

New Book: William S. Allen. Kant, Adorno, and the Forms of History

30 Thursday Jan 2025

Posted by Paul Dablemont in Publications, Theodor W. Adorno

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William S. Allen wrote to us about his new book: Kant, Adorno, and the Forms of History (Bloomsbury), which will be published in February. Here is the link to the publisher’s website and below you’ll find the publisher’s blurb:

Kant, Adorno, and the Forms of History sets the works of Theodor Adorno, Immanuel Kant and Peter Weiss in dialogue, revealing how an interrogation of the aesthetics of ‘the whole’ and the conception of history in Western thought reveals new ways of thinking about history and historically.

To conceive of history as such it is necessary to conceive it as a whole, but doing so carries implications about its development and direction. Furthermore, such an idea makes it difficult to consider its parts without subsuming them to the whole, thereby making individuals merely instrumental to achieving the aims of history.

William S. Allen brings the thought of Kant, Adorno and Weiss to bear on these tensions, tracing how Adorno’s reconsideration of history through his readings of Kant’s Critique of Judgement are distinct from formulations offered by other thinkers (Marx, Hegel, Lyotard). Allen establishes that Kant’s Critique of Judgement is not only a sustained analysis of the development of forms, whether aesthetic or organic, but also a tacit interrogation of the form of the whole and the possibilities of thinking it.

Kant, Adorno, and the Forms of History argues that Adorno has taken up this interrogation more than any other thinker and through his aesthetics has introduced an alternative thought, which has been modified and extended in the work of Peter Weiss in his last novel, The Aesthetics of Resistance. Within this thought lies the possibility of thinking history without the whole, without unity or purpose, which is a possibility that may offer new insights in the face of imminent environmental, economic and political collapse.

New Translation: Adorno’s Public Lectures 1949-1968

16 Thursday Jan 2025

Posted by William Ross in Publications, Theodor W. Adorno

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Michael Schwarz, Nicholas Walker

The Adorno Vorträge 1949-1968 published in 2019 and edited by Michael Schwarz have been translated by Nicholas Walker and will be published in February at Polity Press. Click here to access the link for the first volume and for the second volume.

Here is the publisher blurp:

When Theodor W. Adorno returned to Germany from his exile in the United States, he was appointed as a lecturer and researcher at the University of Frankfurt and he immediately made a name for himself as a leading public intellectual. Adorno’s widespread influence on the postwar debates was due in part to the public lectures he gave outside of the university in which he analysed and commented on social, cultural and political developments of the time. 

The first volume brings together Adorno’s lectures given between 1949 and 1968 on music, literature and the arts. With an engaging and improvisational style, Adorno spoke with compelling enthusiasm on subjects as diverse as Marcel Proust’s prose, Richard Strauss’s composition technique and Arnold Schoenberg’s Pierrot lunaire. Germany, restoring its social and intellectual institutions, needed to embrace the new music and writers who had been neglected, particularly with regards to Proust. To rebuild was taken to mean rediscovery, but Adorno also nurtured a vision of tradition which – far from being unthinkingly conservative – would attest to society’s honestly-appraised relationship to the past while it underwent the process of modernization. The volume illustrates Adorno’s deep commitment to holding contemporary music and culture to standards commensurate with the aspirations of a modern world emerging from the horrors of war.

The second volume brings together Adorno’s lectures given between 1949 and 1968 on social and political themes. With an engaging and improvisational style, Adorno spoke with infectious vigour about architecture and city planning, the relationship between the individual and society, the authoritarian personality and far-right extremism, political education and the current state of sociology, among other subjects. After Auschwitz, it was incumbent on Germany to undertake intensive memory work and to confront the reality of its own moral destruction, while rebuilding its political and economic systems. To rebuild was taken to mean rediscovery and looking outward, but Adorno also nurtured a vision of tradition which – far from being unthinkingly conservative – would attest to society’s honestly-appraised relationship to the past while it underwent the process of modernization. The volume illustrates Adorno’s deep commitment to holding society to standards commensurate with the aspirations of a modern world emerging from the horrors of war.

These volumes of his lectures is a unique document of Adorno’s startling ability to bring critical theory into dialogue with the times in which he lived. It will be of great value to anyone interested in the work of Adorno and critical theory, in German intellectual and cultural history and in sociology and politics.

Now in Paperback: Lambert Zuidervaart’s  Adorno, Heidegger, and the Politics of Truth

16 Tuesday Jul 2024

Posted by Paul Dablemont in Publications, Theodor W. Adorno

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Lambert Zuidervaart’s recent book on Adorno, Heidegger, and the Politics of Truth is coming out in paperback next month, and SUNY Press is providing a pre-publication discount for the paperback edition. Find below the information Lambert sent us and buy the book here.

New Book: Peter E. Gordon, A Precarious Happiness

05 Wednesday Jun 2024

Posted by Pierre-François Noppen in Publications, Theodor W. Adorno

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Peter E. Gordon, Theodor W. Adorno

Peter E. Gordon published a fascinating new book on Adorno earlier this year, entitled A Precarious Happiness: Adorno and The Sources of Normativity (Chicago UP). Here‘s the link to the publisher’s website. And here’s the publisher’s blurb:

“A strikingly original account of Theodor Adorno’s work as a critique animated by happiness.

“Gordon’s confidently gripping and persistently subtle interpretation brings a new tone to the debate about Adorno’s negativism.”—Jürgen Habermas

 
Theodor Adorno is often portrayed as a totalizing negativist, a scowling contrarian who looked upon modern society with despair. Peter E. Gordon thinks we have this wrong: if Adorno is uncompromising in his critique, it is because he sees in modernity an unfulfilled possibility of human flourishing. In a damaged world, Gordon argues, all happiness is likewise damaged but not wholly absent. Through a comprehensive rereading of Adorno’s work, A Precarious Happiness recovers Adorno’s commitment to traces of happiness—fragments of the good amid the bad. Ultimately, Gordon argues that social criticism, while exposing falsehoods, must also cast a vision for an unrealized better world.”

New book: Illusion and Fetishism in Critical Theory

21 Thursday Mar 2024

Posted by Pierre-François Noppen in Critical Theory, Publications, Theodor W. Adorno, Uncategorized

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Vassilis Grollios wrote about the publication of his new book at Routledge. The full title reads: Illusion and Fetishism in Critical Theory: A Study of Nietzsche, Benjamin, Castoriadis and the Situationists. Here’s the link and here the publisher’s blurb:

“Through the negative dialectics of Theodore Adorno, Illusion and Fetishism in Critical Theory offers an examination of Nietzsche, Benjamin, Castoriadis and the Situationists, who put the concept of illusion at the forefront of their philosophical thought.

Vasilis Grollios argues that these political philosophers, except Castoriadis, have up to now been wrongly considered by many scholars to be far from the line of thinking of negative dialectics, Critical Theory and the early Frankfurt School/Open Marxist tradition. He illustrates how these thinkers focused on the illusions of capitalism and attempted to show how capitalism, by its innate rationale, creates social forms that are presented as unavoidable and universal, yet are historically specific and of dubious sustainability.

Providing a unique overview of concepts including illusion, totality, fetishization, contradiction, identity thinking and dialectics, Grollios expertly reveals how their understanding of critique can help us open cracks in capitalism and radicalize democratic social practice today. Illusion and Fetishism in Critical Theory is a must read for scholars of political theory and political philosophy, critical theory, the Frankfurt School, sociology and democratic theory.”

New translation of Adorno: Orpheus in the Underworld

18 Monday Mar 2024

Posted by Pierre-François Noppen in Theodor W. Adorno

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Douglas Robertson, Orpheus in the Underworld

A new translation of Adorno’s work by Douglas Robertson will soon be published at The University of Chicago Press. Here’s the publisher’s blurb:

The book “Delves into Theodor W. Adorno’s lesser-known musical career and successful music criticism.

Theodor W. Adorno is recognized as one of the twentieth century’s most prominent social theorists. Though best known for his association with the Frankfurt School of critical theory, Adorno began his career as a composer and successful music critic.

Comprehensive and illuminating, Orpheus in the Underworld centers on Adorno’s concrete and immediate engagement with musical compositions and their interpretation in the concert hall and elsewhere. Here, Adorno registers his initial encounters with the compositions of the Second Viennese School, when he had yet to integrate them into a broad aesthetics of music. Complementarily essays on Bela Bartók, Jean Sibelius, and Kurt Weill afford insight into his understanding of composers who did not fit neatly into the dialectical schema propounded in the Philosophy of New Music. Additionally, essays on recording and broadcasting show Adorno engaging with these media in a spirit that is no less productive than polemical and focused as sharply on their potentialities as on their shortcomings.

Orpheus in the Underworld offers a captivating exploration of Adorno’s musical compositions, shedding new light on his understanding of influential composers and his critical perspectives on recording and broadcasting.”

CFP – ‘Adorno’s Sociology’, July 4-6

06 Wednesday Mar 2024

Posted by Pierre-François Noppen in Call for Papers, Theodor W. Adorno

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Research Center Social Theory, Theodor W. Adorno, University of Innsbruck

Frank Welz wrote to let us know about a conference that he and his colleagues are organizing at the University of Innsbruck which should be of interest to the readers of this blog. Here’s the detail:

International Adorno Conference, July 4-6

Research Center Social Theory

University of Innsbruck, Austria

Abstracts submission deadline: April 1, 2024.

Here’s their webpage and the call for papers.

10th AAS Meeting – Schedule

24 Wednesday Jan 2024

Posted by Pierre-François Noppen in Association for Adorno Studies, Conference, Theodor W. Adorno

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Estelle Ferrarese

The full schedule for our next meeting is available here.

New Book by Lambert Zuidervaart: Adorno, Heidegger, and the Politics of Truth

08 Monday Jan 2024

Posted by Pierre-François Noppen in Critical Theory, Publications, Theodor W. Adorno

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Lambert Zuidervaart, Martin Heidegger, Post-Truth, Theodor W. Adorno, truth

Lambert Zuidervaart (Emeritus Professor of Philosophy, Institute for Christian Studies and University of Toronto) wrote to us today about his new book: Adorno, Heidegger, and the Politics of Truth, which will appear at SUNY Press in February. You can find the details here. Lambert also published a blog post about his book: “Hope for Truth in a Post-Truth World”, which you can read it here.

Here’s the blurb from the publisher:

“An elusive and complex idea of truth lies at the center of Theodor Adorno’s thought. Yet he never spells out what it is. Through close readings of Negative Dialectics, Aesthetic Theory, and related course lectures, Lambert Zuidervaart reconstructs Adorno’s conception of truth, contrasts it with the conceptions of Martin Heidegger and Michel Foucault, and explores its relevance for contemporary philosophy, art, and politics. Adorno regards truth as a dynamic constellation in which various dialectical polarities intersect. The most decisive polarity, Zuidervaart argues, occurs between society as it has developed and the historical possibility of a completely transformed world. Critically reconstructed, Adorno’s conception of truth can help inspire hopeful critiques of an allegedly post-truth society.”

And here’s a review:

“Zuidervaart, who already published numerable books on critical theory in general and Adorno in particular, again shows himself to be an excellent and critical reader of Adorno. The greatest strength of Adorno, Heidegger, and the Politics of Truth is that it offers an in-depth study of Adorno’s concept of truth, based on a thorough reading and understanding, and an original and critical interpretation of Adorno’s work. It also surpasses that in demonstrating the need for a conception of ‘truth as a whole’ beyond propositional truth, and the need to link the concept of truth to social critique and social hope. All this makes this book a must-read for Adorno scholars.” — Thijs Lijster, author of Benjamin and Adorno on Art and Art Criticism: Critique of Art

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