{"id":4063,"date":"2024-08-04T13:37:29","date_gmt":"2024-08-04T13:37:29","guid":{"rendered":"https:\/\/www.adornostudies.org\/?p=4063"},"modified":"2024-08-04T13:37:29","modified_gmt":"2024-08-04T13:37:29","slug":"new-book-susanna-zellini-asthetik-der-form","status":"publish","type":"post","link":"https:\/\/www.adornostudies.org\/?p=4063","title":{"rendered":"New Book: Susanna Zellini, \u00c4sthetik der Form"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Susanna Zellini wrote about her new book at De Gruyter. The full title reads <em>\u00c4sthetik der Form: Sprachkritik, Musik und Stil bei Nietzsche und Adorno<\/em>. <a href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783111432908\" data-type=\"link\" data-id=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783111432908\">Here<\/a> is the link to the publisher&#8217;s website and below you&#8217;ll find the publisher&#8217;s blurb:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The downfall of the systematic philosophies has raised the question of how to reconcile the radical critique of traditional forms of representation with a new need for form. This book compares the thinking of Nietzsche and Adorno along the axes of music, style, and language critique in order to reconstruct an &#8220;aesthetics of form&#8221; common to both, which proves to be an alternative to conventional twentieth-century philosophies of language.<\/em><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/i0.wp.com\/www.adornostudies.org\/wp-content\/uploads\/2024\/08\/product_pages.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"529\" height=\"739\" src=\"https:\/\/i0.wp.com\/www.adornostudies.org\/wp-content\/uploads\/2024\/08\/product_pages.jpg?resize=529%2C739&#038;ssl=1\" alt=\"\" class=\"wp-image-4064\" style=\"width:438px;height:auto\" srcset=\"https:\/\/i0.wp.com\/www.adornostudies.org\/wp-content\/uploads\/2024\/08\/product_pages.jpg?resize=733%2C1024&amp;ssl=1 733w, https:\/\/i0.wp.com\/www.adornostudies.org\/wp-content\/uploads\/2024\/08\/product_pages.jpg?resize=215%2C300&amp;ssl=1 215w, https:\/\/i0.wp.com\/www.adornostudies.org\/wp-content\/uploads\/2024\/08\/product_pages.jpg?resize=768%2C1072&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.adornostudies.org\/wp-content\/uploads\/2024\/08\/product_pages.jpg?w=800&amp;ssl=1 800w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><\/a><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Susanna Zellini wrote about her new book at De Gruyter. The full title reads \u00c4sthetik der Form: Sprachkritik, Musik und &hellip;<\/p>\n<p><a href=\"https:\/\/www.adornostudies.org\/?p=4063\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1017,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-4063","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.adornostudies.org\/index.php?rest_route=\/wp\/v2\/posts\/4063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.adornostudies.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.adornostudies.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.adornostudies.org\/index.php?rest_route=\/wp\/v2\/users\/1017"}],"replies":[{"embeddable":true,"href":"https:\/\/www.adornostudies.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4063"}],"version-history":[{"count":2,"href":"https:\/\/www.adornostudies.org\/index.php?rest_route=\/wp\/v2\/posts\/4063\/revisions"}],"predecessor-version":[{"id":4066,"href":"https:\/\/www.adornostudies.org\/index.php?rest_route=\/wp\/v2\/posts\/4063\/revisions\/4066"}],"wp:attachment":[{"href":"https:\/\/www.adornostudies.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.adornostudies.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4063"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.adornostudies.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}